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Critiques and reviews

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"Oscars 2023: The philosophy of Everything Everywhere All at Once explained", The Conversation, March 2023

https://theconversation.com/oscars-2023-the-philosophy-of-everything-everywhere-all-at-once-explained-201829

In Chinese: "Human spaces in nonhuman eyes/ 非人视野下的人类空间" review of XU Bing's Dragonfly Eyes (2016), Dec. 2019.

https://www.sohu.com/a/359078502_149159

“On The West Bund Biennale: Where the Governmental and the Avant-Garde meets” in School of Contemporary Chinese Studies blog, UNNC, Nov 2013

https://blogs.nottingham.ac.uk/clas/2013/11/11/where-the-governmental-and-the-avant-garde-meet/

In Chinese: “Blurring Boundary Between the Real and the Performative Self” - exhibition review on Look at Us (Shanghai Centre of Photography) and Please Follow Me (OCAT Shanghai). at http://www.art-ba-ba.com, Sep 2017

展评 | 真实与扮演的边界——关于展览“听我说”以及“看看我们!”

https://www.sohu.com/a/191245703_639052

In Chinese: “From ‘Me’ to ‘Us’ - First Person Cinema” at Ray Art Center online publication, 10 May 2016

https://www.trueart.com/news/289784.html

《私人家庭影像和记忆构建》

https://www.trueart.com/news/289323.html

《从家庭影像进入记忆的漩涡——Peter Forgács的影像历史书写》 | 私人家庭影像和记忆构建(二)

https://www.trueart.com/news/288770.html

《洋人业余影像里的中国(1900-1948)》| 私人家庭影像和记忆构建(三)

https://freewechat.com/a/MzA4MzAwNzMyOQ==/2649205437/1

《家庭影像里的情绪 - 戴建勇coca的影像日记》 | 私人家庭影像和记忆构建(四)

https://www.trueart.com/news/273985.html

“Engaging with China’s iGeneration” at Ray Art Center online publication ‘Film Education’, 27 May 2016

"Independence as a Living Attitude”. at ISEEUK.com June. 2012

 “Newnham and Me: My Life in Cambridge’s Women College”. at ISEEUK.com July. 2012

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